Jaqueline Cedar
Night Moves
November 12 - December 22, 2021
For Shelter’s final exhibition of 2021, we are pleased to present new paintings by Brooklyn-based artist, educator, and gallery owner Jaqueline Cedar.
Cedar’s paintings depict a rotating cast of characters who are simultaneously anonymous and personalized; they often find themselves in scenarios where they attempt to connect with each other or with their surroundings. The distinction between awkward and graceful is blurred as these figures display vulnerability and uncertainty, their reactions often based on the absurdity of their situations or the all-too-human desire for physical and psychological connection and comfort.
This new series of paintings are intimate distortions of these figures in their individual quests; “Serious Literature” slyly presents a body seemingly bifurcated by a building’s exterior, while in the only large painting in the show, “Paper Moon,” two figures, who appear identical, run under an almost alien sky with three moons. Are these figures showing fear – are they shrinking away or fleeing from circumstances of togetherness – or is there a surprise at impending connectivity? Are we voyeuristically observing a scene not meant for us, or are they putting themselves on display?
The artist renders each character with elongated bodies and limbs which allows them to accomplish their contortions, both physical and mental. Each figure is not just the focus of each painting, but is also both observer and actor, contained within each frame while also appearing ready to escape from it at any moment.
Jaqueline Cedar was born in Los Angeles, CA and currently lives and works in Brooklyn, NY. Cedar is an educator at several New York art museums and in 2019 opened the Brooklyn gallery Good Naked. 2021 exhibitions include Ladies’ Room (Los Angeles, CA), Petty Cash (Brooklyn, NY), Hudson Hall (Hudson, NY), and Field Projects (New York, NY). Recent press includes Artnet, Two Coats of Paint, New American Paintings, and Boston Voyager. Cedar holds an MFA from Columbia University (2009).
Cedar’s figures often exist in dreamscapes, surroundings that reference reality but tweak it in such a way as to force the viewer to question their assumptions. In “Paper Moon” (above) we have to wonder if the two figures are the same or different, if they are running together, or even whether they perhaps occupy separate planes of existence. The three moons in the sky make the environment more than foreign - perhaps even extraterrestrial.
Cedar’s palette immerses the viewer in each setting, and changes in her palette throughout the series become ways to shift the viewer’s association and connection with each piece; one can wonder whether these shifts echo the perceptions of the figures contained within. Pinks and yellows appear to signify warmer domestic spaces, while black and desaturated color often take us outside into the night.
Isolation and connection, two main themes underlying this body of work are perhaps most evident in the pieces that seem to highlight the expression - or possibly lack thereof - on each figure’s face. “We Will Touch Our Feet” could be a person contentedly resting in the moonlight in a secluded setting, or it could be someone longing for or ruminating on personal relationships. “It Was a Long Time,” perhaps the most surreal work in the series, can read as a face when viewed from a distance but upon closer inspection, reveals one of Cedar’s characters emerging from a blue plane, their body completing the illusion.